Author: John G. Horse

We discuss the historic and on going legacy of mass shootings in the global system of Racism White Supremacy. We use clips from current events, historic reports, Neely Fuller Jr., NPR, Orenthal James Simpson & Gus T. Renegade of The Context Of White Supremacy Radio Podcast to add context.

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We discuss the legacy of Moses ‘Fleetwood’ Walker as a Major League Baseball Trailblazer and a counter racist violence survivor by way of Black Self Defense. We use clips of The Context of White Supremacy host Gus T. Renegade,  NPR, James Blake, Neely Fuller Jr. & author Andrea Williams to add context. 

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We discuss contemporary media/popular culture’s relentless onslaught of anti-black propaganda. We focus on the Black Brute Caricature this episode. We use Media Reports on Orenthal James Simpson, Bill Cosby, Jameis Winston, Deshaun Watson, Lavar Ball, Joe Jackson, Richard Williams, Will Smith & Chris Rock. Clips of Jim CrowMuseum of RacistMemorabilia Willie Horton documentary, Dr. Frances Cress Welsing and Neely Fuller Jr. interviews are used to add context.

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We examine Luther Campbells journey to music industry success by way of packaging blue comedy, sex industry & rap music in the 1980s. The road to music charts outside of the NY based Hip Hop Industry, Campbell was a pioneer for Southern Rap Music Legitimacy. Driven by abstract poverty in Miami, FL. 

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We take a counter-racist look at the legacy of Anti-Blackness within U.S. Pop-Culture by way of Music, Film and Television with a focus on Minstrelsy, Vaudeville, Chitlin Circuit and Blue Comedy. All of which displayed Rap, Poetry, Spoken Words and Rhyming as a fundamental element of entertainment tradition. We contend that rap has been a part of U.S. Black Classifieds entertainment tradition from its beginning. We play clips of NPR, Butterfly McQueen, Butterbeans & Susie, Moms Mabley, Mantan Moreland, Pigmeat Markham, Redd Foxx, Lawanda Page, Leroy Daniels and Rudy Rat Moore to add context.

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We examine the recorded history of rap within poetry, spoken word, blues, bebop, ragtime & jazz in the early 1900s. We play clips of George W. Johnson, Bert Williams, Lucille Bogan, Memphis Minnie, Memphis Jug Band, Beale Street Sheiks, Blind Willie Johnson, Golden Gate Quartet & Lincoln ‘Stepin Fetchit’ Perry to add proper source material context.

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We discuss the effects of the Martin Luther King Jr. assassination on the performance poetry/spoken word community in the 1960s. We use poems/music created by Maya Angelou, Oscar Brown Jr., Melvin Van Peebles, The Last Poets, Gil Scott-Heron & Amiri Baraka and there trailblazing creative styles that sets the stage for the form of poetry that we know as Rap. 

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We discuss the Torrance, Ca internal investigation/probe of a suspected racist police text ring. Over 90 cases involving a total of 15 Torrance, Ca Police Officers have been reevaluated/dropped. We use reports of Christopher Dorner manifesto and LAPD Sheriff’s department Gang called ‘The Executioners’. We also play clips of Neely Fuller Jr being interviewed on Black Talk Radio’s podcast titled The Context Of White Supremacy(The C.O.W.S.) hosted by Gus T. Renegade.

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We discuss the historic legacy of Black Exotica. Displaying black bodies as entertainment and or scientific/medical racism. We reference Authors Pamela Newkirk(Spectacle), Keven Young(Bunk), Harriet A. Washington(Medical Apartheid) and Neely Fuller Jr. We play a clip of Dave Chappelle Rick James skit to add additional context. 

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We discuss the 1906 Brownsville, TX Affair. We also place Colin L. Powells distinguished career/legacy in the context of the System of Racism White Supremacy being in full affect. We discuss the anti-black mistreatment that black veterans within the U.S. Armed forces fell victim to and or had to endure and overcome. We use clips of Neely Fuller Jr & Maya Angelo to add context.

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